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Artists at Con/Vida Return Popular Art
Two older women. One with longer white hair, pulled back in a bun, glasses with beaded neck chain, and purple shirt. the other with short white hair, red eyeglasses, and a red and black blouse.

September 19, 2024, Ann Arbor, Michigan – After buying popular art from local artists in Brazil and Peru for about 30 years, Sister Barbara Cervenka, OP, and Marion “Mame” Jackson have one more task: to return the more than 750 pieces of art, primarily to the state of Bahia, Brazil. 

Sister Barbara and Mame, then professors at the University of Michigan, made annual trips to Latin America, predominantly to Brazil, to locate and purchase popular art – art created by the people – to bring back to the United States. “We put the collection together originally to open cultural doors between North and South America,” Mame said in a recent article in The Guardian

Through their nonprofit organization, Con/Vida: Popular Arts of the Americas, they arranged exhibits in museums throughout the United States to give voice to the artists and to popularize their work within the North American culture. One of the organization’s earliest exhibits, Bandits & Heroes, Poets & Saints, featured the popular art from Northeastern Brazil and explored the history and culture of the Black people who settled there. Through the years, Con/Vida received some of its funding through the Adrian Dominican Sisters’ Ministry Trust Fund.

Once the artwork – including paintings, religious objects, and sculptures – are returned to their native land, many will be exhibited for the local people to enjoy and appreciate.

Read more about Con/Vida and its use of popular art to bridge the gap between South and North America – and efforts to return the art – in an article by Tiago Rogero in The Guardian.
 

Caption for above photo: Sister Barbara Cervenka, OP, left, and Marion “Mame” Jackson

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Avatar  nancyann turner 2 weeks agoReply

These two women are amazing...and have built so many bridges and new understandings between cultures.
I am grateful for their leadership and especially for this "last" chapter,



 

 

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